STREETS OF DARKNESS
Author: A. A. Dhand
Release Date: June 2016
At the outset of Streets of Darkness high-flying Bradford cop Harry Virdee is on suspension for breaking a man’s jaw. Until a moment of hot-headed impetuousness derailed his career, he was going places – his brutally efficient knack for getting results playing well with his results-orientated superiors. When a pillar of the local Asian community is found murdered with a swastika carved into his chest, Detective Superintendent George Simpson offers Harry a shot at redemption – track down Lucas Dwight, the notorious ex-BNP leader who has just been released from prison, before the city descends into violence.
Streets of Darkness is a compelling contemporary thriller that explores a group of disparate characters trampling the racial fault-lines in the post-industrial Northern city of Bradford. Caught in the crossfire is Harry Virdee, a British-Asian cop, whose ability to cross between cultures – and his knowledge of the underworld – gives him an edge few of his colleagues can muster.
Dhand serves up a fast-paced blend of pulpy, violent scenes, searing social commentary and unscrupulous characters throughout. While the dialogue sometimes lapses into B-movie territory, the action is generally undercut with a wry, twisted sense of humour, and the book scores extra points for providing an insight into Bradford’s past and present, as well as scrutinising the often-conflicted Anglo-Asian experience. A fascinating series opener – I look forward to more.
Review by Tom Leins
Author: Attica Locke
Publisher: Serpent’s Tail
Release Date: September 2017
At the outset of Bluebird, Bluebird, Darren Mathews – a committed Texas Ranger with marital troubles and alcohol dependency issues – is suspended from active duty pending the conclusion of an investigation into his involvement in a violent altercation between a long-time family friend and a local racist thug. However, when a pair of bodies – a black lawyer from Chicago and a local white woman – are dragged out of the bayou in an East Texas town called Lark, Mathews puts the job he loves in jeopardy and travels up Highway 59 to investigate. In doing so, the town’s racial fault-lines are blown wide open, and all manner of uncomfortable secrets come tumbling out.
The publishing process is a long and arduous one, and I’m sure this book was completed long before Donald Trump oozed into the White House and cranked up his bile-flecked carnival barker theatrics. Nevertheless, the antagonists here feel like Trump supporters to a man – from self-satisfied local landowner Wally Jefferson, to the meth-fuelled Aryan Brotherhood members who drink in the nearby bar he owns – and the ugly racial tensions give the book a frighteningly contemporary feel.
The swaggering-but-damaged Mathews is a great conduit for the righteous anger that Locke’s book runs on: an imperfect man with perfect values, kicking over rocks in a town where he clearly isn’t welcome. Combining the personal and the political is a tough feat, and Locke makes it look easy.
The central mystery that drives the narrative of Bluebird, Bluebird is a puzzle wrapped in contradictions and contrivances, and in a lesser writer’s hands this could have diminished the story’s appeal. Locke’s easy storytelling style and rich, evocative prose means that this is never an issue, and the story is unpredictable and spiked with tension.
Locke’s excellent 2009 debut Black Water Rising was a memorable, impressive book, and Bluebird, Bluebird is every bit as good. I look forward to the sequel – and the in-development TV series that is reportedly on the cards.
Review by Tom Leins