THE DEVIL’S BREW
Author: Benedict J. Jones
Publisher: Crime Wave Press
Release Date: November 2016
The Devil’s Brew, Benedict J. Jones’ follow-up to Pennies for Charon, sees ex-con-turned-private investigator Charlie ‘Bars’ Constantinou retreat to the Northumbrian countryside in an effort to put some space between him and London – where so much bad blood has already been spilled. Befitting a man with his chequered past, Charlie finds himself plunged headlong into the affairs of a local family, whose horses are being mutilated by unknown assailants. Little does he realise, the culprits are the Thirlwells, a rural clan to whom savagery is a way of life. With personal redemption on his mind, Charlie wades into the dispute, and ends up embroiled in a vicious game of wits with a deadly set of opponents…
The Devil’s Brew is a well-judged, self-assured follow-up, which simultaneously consolidates Charlie Bars’ credentials and demonstrates that the character can function away from his usual South London stomping ground. The British private eye novel is a notoriously awkward beast, and while The Devil’s Brew doesn’t follow a typical PI narrative, it drops Charlie into an unpleasantly gripping situation without missing a beat. To Jones’ credit, Charlie Bars already feels like character who can be readily redeployed in leftfield scenarios, not one that will be hamstrung by well-worn genre tropes.
Get Carter, Straw Dogs and The Wicker Man have all been – accurately – cited as influences on The Devil’s Brew, while other, more recent, cinematic touchstones that come to mind include the likes of Dead Man’s Shoes (rustic vengeance) and Eden Lake (feral youth). The violent, extended climax is nerve shreddingly accomplished, and the book left me sweaty-palmed as the central conflict spiralled out of control. Tense, atmospheric and aggressively compelling, The Devil’s Brew is a top-drawer slab of contemporary Brit-crime.
Reviewed by Tom Leins