SUICIDE LOUNGE (SELENA BOOK 3)
Author: Greg Barth
Publisher: All Due Respect
Release Date: April 2016
Following the scorched-earth revenge of Diesel Therapy, world-weary anti-hero Selena has settled into a life of alcoholic and narcotic excess at the Red Light Lounge – the strip club that doubles as the headquarters for the mid-level crime syndicate she has inherited. However, when a sadistic jailbird drug dealer named John Mozingo attempts a bloody takeover of Selena’s territory, loyalties are strained to breaking point, and few of her cronies have the stomach for a full-blown turf war. Never one to back down from a skirmish, Selena strikes a big-money deal with a Las Vegas mobster, which opens up a new supply route. Inevitably, the plan runs into grave complications, and Selena is left fighting for her life – not for the first time.
This book sees Selena fill the hillbilly gangster void created by her own actions, and in much the same way, Greg Barth has seemingly emerged from nowhere to slice, clobber and bullet-hole his way onto the indie crime scene’s top table. Like its predecessors – Selena and Diesel Therapy – Suicide Lounge marries a vicious, unflinching storyline with knife-edge prose. As always, the richly observed supporting cast add light and shade to the story – even if most of them aren’t destined for a happy ending!
Prime antagonist John Mozingo is probably the nastiest bastard to grace the pages of a Greg Barth novel to date, and his oft-repeated desire to slice up his enemies and feed them their own body parts becomes more disturbing as the book unfolds, and his all-out war with Selena draws ever closer. As for Selena herself? True to form, she soaks up a disturbing amount of punishment and keeps on fighting!
Regardless of whether it hits pay-dirt first time around, the Selena Trilogy is destined to become cult reading material for discerning fans of degenerate pulp literature. Suicide Lounge is a great end to an exhilarating trilogy, and the series as a whole comes highly recommended.
Reviewed by Tom Leins
Author: Brian Panowich
Publisher: Head of Zeus
Release Date: July 2015
Clayton Burroughs is the Sheriff of Bull Mountain, Georgia, and his unexpected role in local law enforcement has seen him singled out as the black sheep of the infamous Burroughs clan. In the 1940s and 1950s, the family ran moonshine over six state lines, and in the 1960s and 1970s they farmed the largest marijuana crop on the East Coast. Now, they are the dominant suppliers of methamphetamine in the South. An uneasy pact exists between Sheriff Burroughs and his estranged brother Halford, but when slick federal agent Simon Holly shows up in Clayton’s office – with a bold plan to shut down Bull Mountain with the minimum amount of bloodshed – it reignites the simmering family feud and sets brother against brother.
Bull Mountain is a swaggering, violent novel that improbably evolved out of a pair of short stories that were published by crime fiction sites Shotgun Honey and the Flash Fiction Offensive back in October 2012. In truth, those stories – while undoubtedly great – barely scratch the surface of what Bull Mountain has to offer, which is darker, richer and more emphatic than any debut novel has a right to be. (Note: if you haven’t already read them, the aforementioned stories are best enjoyed after reading the novel!)
The characterisation is uniformly excellent, and the use of multiple timelines – which ricochet back and forth across the narrative like bullets in a confined space – is very well done. Further, the quietly crafty narrative wrong-footed me on several occasions, which is always a nice feeling as a reader!
At the tail-end of last year it was reported that Bull Mountain was being adapted for TV by Ed Bernero, the executive producer of hit show Criminal Minds. Hopefully the arrangement pans out, as Bull Mountain has a real televisual quality about it, and often reads like a raucous shotgun wedding between Justified and Sons of Anarchy.
A crash-course in dirty deeds and impressively clean writing, Bull Mountain is a tremendous debut novel, and one that fully deserves the plaudits that were heaped on it like dirt on an unmarked grave. Excellent stuff – highly recommended for fans of blood-splattered hillbilly crime sagas.
Reviewed by Tom Leins